Artistry and Social Consciousness in Cyprian Ekwensi’s Novels and Stories

Getting going from his undeniably exhilarating and energizing plots it is most obvious that Cyprian Ekwensi turns generally awesome and intriguing stories. Be that as it may, his plots are regularly long winded in this way losing natural solidarity. In People of the City the plot is free and rambling. The detachment toward the finish of the different sub-plots makes the original read like a narrative of occasions in the existences of individuals. Nonetheless, the setting of similar characters in this large number of occasions keeps them intact. The plot is additionally rambling in Jagua Nana with around three subplots not solidly connected and defended inside the more extensive settings of the book. One of them is the one that carries Jagua to Freddie’s country. The other three books anyway are saved this issue as they have better plot control.

A few episodes underway don’t come out genuine and persuading. Again and again there is regular response to melodramatics. These are most apparent in the numerous sensational occurrences including Amusa Sango and Jagua Nana, those of murders, battles african tribe with blue eyes and suicides along with the various sexual blow-outs including similar characters. Luckily Survive the Peace appears to have been saved a lot of that.

What’s more, many characters neglect to fall off genuine and persuading. The ladies Amusa Sango meets with in People of the City are for the most part unvaryingly depicted as wonderful. Indeed, even the primary person himself, Sango, puts on a show of being shallow and generalized.. A lot of what we are aware of him is through authorial editorial as opposed to through what is uncovered of him through his words, contemplations, and activities. Freddie’s depiction in Jagua Nana is exceptionally shadowy. A significant number of his activities appear to be fairly farfetched. It is doubtful for a particularly fair and hopeful young fellow to be abruptly changed to a self-serving and vigorous political applicant basically on the grounds that he has recently gotten back from concentrating abroad.

Different characters like Uncle Namme, Uncle Ofubara, and Dennis Odoma are nearly comparable to pawns. Uncle Taiwo’s silly show makes him to a greater degree a personification as opposed to a completely evolved character. He is there essentially as a pawn presenting the political parts of Lagos life. Only here and there does Ekwensi permit the peruser to understand the manners of thinking of his characters. Nor is his utilization of style fruitful in distinctive the different characters whose discourse stays unvarying despite the fluctuating circumstances and conditions wherein they track down themselves. Freddie’s better instruction doesn’t empower him than talk uniquely in contrast to his uninformed whore sweetheart, Jagua. Ekwensi’s characters in any event, when associated with occasions of social importance uncover just a shallow mindfulness, learning barely anything about themselves in their journeys.

There is likewise not much striking in Ekwensi’s utilization of language. As far as one might be concerned, his utilization of English is for the most part unsure, showing little dominance of the principles and current uses. Dissimilar to Achebe, he has not fostered a genuine African voice. His language appears to be to a great extent imitative of fourth-rate westerns. For he is by all accounts just pandering to the preferences and assumptions for the book-purchasing public in the West that normal from him certain scholarly shows and structures. His way of composing in this manner must be affected by them. For as he personally said he was composing for a mass allure to such an extent that in a meeting with Larson he was expecting the abundance he would have been swimming in assuming he were writing in America.

Notwithstanding the over, a huge number of perusers both in the West and in Nigeria, have tracked down amusement and a sensible image of the joys and dangers of city life in his works. Yet, would his works be able to be recovered by his genuine distraction with probably the most squeezing social and political issues compromising present day Nigeria? How well does he deal with the social and political worries of Nigeria as well as Africa? It could likewise be important to take a gander at how he wrestles with the “turbulent indistinctness and persevering motion of the advanced Nigerian city.”

In light of the questioner who asked him what essentially rouses him as a craftsman. he. said:

You can call it social cognizance. You must be aware individuals you are living among, their preferences and you regard them despite everything remove their way of life what not.

Ekwensi’s works are set in country as well as metropolitan focuses. These bipolar conditions empower him to appear the offensiveness and monster of the city close to the ideal and unblemished excellence of country life. In the rustic field values like genuineness, industry, and regard for the seniors, progenitors and Gods are respected. Be that as it may, neglected, unfamiliar, outsider and fruitless no man’s land which is the city, individuals are untrustworthy, government officials are bad and neighbors are at threats. It is such an unfriendly world that the émigrés from the country region are pushed into as prey. Rather than the magnificence and honesty of the country, here they are “day to day stood up to by wretched rottenness, wantonness, horrendousness, and lie.” Thus in spite of the shallow shine they could find in the city their expectations of self-satisfaction are dependably plagued with smothering difficulties, For the city has a considerable impact, an attractive power that displays from a good ways just its fervor, mirth, and transient sparkle, tricking individuals to one or the other annihilation or defeat.

Ekwensi was gifted as an author with an intense force of perception. With his ability for inundating himself profoundly into any situation or climate, he noticed individuals intently, yet deciphered their peculiarities and signs into a large number of his characters. drawn comprehensively from his firsthand information and associations with Nigerians and a sharp and logical brain – being above all else a drug specialist a precise quality that showed itself in his works.

Cyprian Ekwensi has accordingly had a productive result of famous books and stories more than once centered around the Nigerian capital city of Lagos showing the adverse consequence of the metropolitan milieu on migrants from country regions, depicting the existences of whores, obscure lawmakers, money managers, cops, correspondents, cheats, and other people who witness the seamier side of life there as well as depicting the sexual love in a general public where relationships are for the most part organized and fiction shuns plots managing adoration and marriage.

In People of the City Sango and nearly everybody with whom he collaborates are displayed as experiencing severity. The city moves to turning into a focal theme and afterward graduates to practically like a person, controlling, characterizing, sorting out and regularly annihilating others’ lives. It resembles a snare assisting with gobbling up the unwary as is recommended in the absolute first sentence: “How the city draws in numerous kinds and how the unwary should experience the ill effects of obliviousness of its methodologies.” The cop’s admonition after Aina’s capture: “. . . individual who’s not cautious the city will eat him” further catches the nascent risk. Added to that is the steady admonition voice of his mom, about the ladies of the city.

Beatrice is the great casualty. however she appears to be the most powerless. She as of now illustrates, on our first associate with her, the fretfulness and the longing for fervor, movement and opportunity which normally instigate the people who are bound to be the city’s casualties, however she is likewise giving indications of corruption and breaking down – she as of now experiences the destructive infection which is at last to guarantee her life.

Beatrice is so captured in its grip that toward the end she was unable to answer well to reclamation subsequently acquiring for herself in the end an embarrassing homeless person’s memorial service.

The little youngster, Aina, when prompted court, remaining against not set in stone to make her pay,” however at first equipped for showing warm sentiments, turns out to be definitely molded by the city’s insensitivity into a solidified cheat and blackmailer.” procuring herself at last a hard jail sentence.

Stupefied by the deceptive sparkle, they all acquiescence to the cash, distinction and impact to be acquired. Lost in such an agitation of living, they follow their basest tendencies with absolute leave. Sango eventually, notwithstanding, can’t bear the examination of others.

Jagua, similar to any remaining mistreated females “who came to Lagos, detained, caught in the city, unfit to remove themselves from its grasp” had come to liberate herself from the insults and threatening disposition of her kin in Ogabu who continued rebuking her for not being useful even following three years of marriage. The Lagos she goes to is found to treasure esteems entirely went against to those of her town. There “young ladies were smooth, worked in workplaces like men, moved, smoked, wore high-obeyed shoes and tight pants and were free and quick with their blessings.” There nobody remains in judgment over one more for inability to satisfy any liability. In actuality, Jagua feels far better, for she can’t be viewed down to be answerable for her inability to satisfy her obligation as a lady and a spouse as has been the situation back home. She consequently falls out of the dark yet noxious arms of the city. She continues to move starting with one circumstance of urgency then onto the next with little, if any smugness. At the Tropicana, a most loved night spot for the Lagosians, she engages fluctuating types of men with the pretend shine of this degenerate world, it’s faint lighting making her look significantly more tempting and excellent than expected.

Every one of the ladies wore dresses which were certainly under size, with the goal that posterior and bosoms extended unusually over the overall shapes of their bodies. Simultaneously the waists contracted to suffocation. A dress succeeded on the off chance that it caused men’s eyes to gaze at ravenously in this advanced super sex-market. The artists involved a minuscule floor, unlighted, so they became outlined bodies without faces and the most un-athletic man could be long to endeavor the extemporization called High-life.